The Slasher Flick as the Male's Expression of the Anima

Have you considered the "Dead Teenager Movies." I rented Final Destination 3 the other day and they had an extra on the DVD that talked about the "Dead Teenager Movies." To make it simple these are slasher flicks where teenagers die in large numbers, various examples: Nightmare on Elm Street, Friday the Thirteenth, and Halloween. There are many others, but you get the picture.

The move often centers on two main characters, the slasher and the heroine. I suppose it might be a hero but often the movie brings a woman to the forefront. In the beginning of the movie we often find this woman taking a stance on sexual improprieties, and in some ways appearing chaste. The funny thing is that it isn’t necessarily their choice it just happens to work that way, they are never unattractive and often picked because they are attractive, but not the "Hot ditzy chick." This woman/girl is girl next door pretty, the one you take home to mom. She is also strong willed and able to defend herself and even often conquer the antagonist of the film.
Take also into account that most of the people who come to these movies are male teenagers. Why is it that a male wants to come and watch a woman who will undoubtedly have the chance to score but will not, and also at some point will be bound, either by rope or in a cage of sorts conquer.

I have an idea. One of Jung’s most popular archetypes was the Anima/Animus. The Anima is (for men) the female aspect of the soul, and the Animus (for woman) being the male aspect. Theoretically all people have both parts of the soul represented by archetypes and through life will try to express appropriately both sides. When one side is not expressed appropriately the collective unconscious will try, often through dreams, but also through fantasies to allow this aspect of the self to be expressed.

As one comes to a slasher flick males get the opportunity to express many different aspects of these relationships. First the male understands his own feminine sexuality (not to be confused with homo-erroticism) and at the same time sees expressed some form of ultimate woman, one who is "touring the facilities and picking up slack (listen the cake song, short skirt long jacket). This woman is perfect; she is feminine, attractive, and tough. At some point in the movie she will be bound, expressing the males desire to bind his own anima, and then she will be loosed, and the male will figure out that embracing the anima is not embracing weakness but strength.
To conclude, I think these movies represent something that has shifted to the periphery in our culture, something that needs re-connected with. We have been given this false version of masculinity that has no room for a natural femininity. This need, suppressed but the consciousness, is then expressed in by those who make the movies, and by those who passively watch them.

However, it is important to note that passive experience of the anima in a movie is not equivalent to appropriate expression through the conscious mind.

Let me know what you think.