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Thursday, February 18, 2010

By the Gazelles and by the Does of the Field

The Bible brings us wonderful literature. I remember in college thinking about the scribes that sat and copied text, letter for letter, checking, double checking, and triple checking the transmission of the text. I found joy in reading this text. I doubled my joy the first time I read it in Hebrew. Over the years my abilities in Hebrew (which were shoddy at best) have declined such that I can often only remember phrases that had been long memorized to feed my arrogance and narcissism. Yet I found, and I still find, joy in the Hebrew Testament.

The poetry speaks with such emotion that I fear the ability to touch. The joys and pains of these writers in relation to their divine walk astound me. The singing the weeping, it can be exhausting. Even the law, I poured over it with joy, creating in my mind a map of worship, and ethic that would transcend ages. I loved being confronted with the power of the divine in the text.

But this joy of textuality came second to my joy of philosophy. It wasn’t enough just to read and understand the text but to give this text the opportunity to bend my life. I often counted on, and would again, commentators. These men and women confront the text, if they are good, in such a way that letters and words make up phrases then the phrases make up more than paragraphs but thoughts, these thoughts were then tied together to set forth ideas, and these ideas, they help us every day to continue in God’s original work and create life.

I love the Book. I cannot live without it, even the dusty tome that sits on my dresser always open to a page to bring comfort. It is strange the things that bring us comfort. I remember my friend Heath always setting the seminary Bible in the entrance way to Ecclesiastes 1:1, for when one is surrounded every day by those of greater knowledge, articulating our thoughts could be daunting. That is, until we remember, the teacher called it all meaningless.

For those that are still with me, I will honor you and get to my point, and finally begin my essay. Years I stumbled through scripture, entering a book only when it seemed pertinent, and when it was necessary to bring life back into focus, devouring each tense until life made sense. Many experiences have oriented on the Greatest Song, and the last year especially.

Many look at the text of this Song and relate it as a metaphor. I love a good metaphor, this sultry poetry is not sultry, it is a metaphor for our relationship with God. Sentence by sentence God graces us with talk of our neck and we reciprocate with comments concerning our skin tone. It is a wonderful idea, an idea that wraps up everything an idea that makes us look into the wonderful book about life and ignore romance. I was encouraged once with a question, “What if it really is about sex?”

More poignantly what if it is about a relationship between two human beings that is so powerful, proper society blushes. When was the last time we heard the phrase, “Let me kiss you with the kisses of my mouth,” in church? Maybe the fear is that too many people would leave with their hands dripping in myrrh. But more importantly we are never confronted with what I find to be a core point in the book, “Do not wake or rouse love until it please!(JPS)”

For years I spoke of love. I preached on love. I sang songs of love. Love involved God, women, friends, roses, and thorns, but I didn’t get it until it involved one other. Early on thoughts of her devoured my days and nights. I had to increase my cell phone minutes and texts, my car miles were increasing quickly day after day week after week. All of the sudden six hours of traveling in one weekend made sense, and all the little romantic fantasies of my youth didn’t matter.

I poured forth with poetry, with roses, and she returned these things with letters and kisses. Our fights would drive my days and keep me awake at nights, and not hearing from her in too long a time made my stomach nervous. I noticed that I didn’t fear her (or my) arrival as I had looking for love with others, I reveled in it, I looked forward to the connection of our hands, and feeling her breath on my neck as we hugged. Love was roused and this great song made sense in a different way.

One night I remember reading her my favorite parts of this wonderful book. It was because one day I looked at her and thought, “Your neck is like a wondrous tower, smooth and elegant.” I had never known this thing. I had never known this love. This love so full yet so ancient the poetry that describes must be beyond classic, beyond man but divine.

Years ago I met an old couple at a hospital in Memphis. It was past midnight, but not yet morning. The man was dying and his woman sat holding his hand. I stood with them. In hindsight I remember clearly I was watching the machines count his heartbeats, she was watching him while hers broke. The sacrifice of love being roused! I hoped from then on that someday one would hold my hand, and it was that just recently I learned about love.

The danger of love is something I knew, that to love, one must be willing to lose everything. Of course the danger of love is something that I have just recently divined, “to love, one must be willing to lose everything.”

When I lose everything, I finally have the room to open the doors of my heart. Doors that I hope never to shut again. And finally I know “Many waters cannot quench love, [and] rivers cannot wash it away (NIV).”